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	<title>Marisa DeLuca Studio</title>
	<link>https://marisadeluca.com</link>
	<description>Marisa DeLuca Studio</description>
	<pubDate>Mon, 09 Jun 2025 22:00:01 +0000</pubDate>
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		<title>Spectre Menu</title>
				
		<link>https://marisadeluca.com/Spectre-Menu</link>

		<pubDate>Mon, 25 Mar 2024 17:50:42 +0000</pubDate>

		<dc:creator>Marisa DeLuca Studio</dc:creator>

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Spectre
	
	

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Oceanside is haunted. Catastrophic change in
the region prompted me to embalm this place in
paint as an act of mourning that amounts to a funerary practice. Over time, new
layers of meaning have emerged alongside my creative, local, and academic
research, shifting this work further inwards as I reflect on forgotten pasts
and lost futures. I have always sensed the gravity of these spaces, but
knowledge of the layered past made it real. My paintings interrogate what it
feels like to belong to a space that is full of ghosts.


This body of work develops an archive of light,
shadow, and anachronistic architectural details. These features function
formally as indicators of space, atmosphere, mood, and time. Light and shadow
hover above while simultaneously living within. Intellectually we know these
atmospheric qualities move and change, yet in the frozen space of the picture
plane they resist impermanence. Conceptually, they allude to the layers of
memory and human experience imprinted within a place. These formal elements
infuse the work with a hauntological perspective of Oceanside – a nonverbal
language for the ephemeral.


Transmitting the uncanny experience of these
spaces, I give the viewer moments of intellectual uncertainty tethered to
reality. The melancholy and mystery of place unfold in the depiction of
nonlinear time; layers upon layers of moments existing simultaneously.
Incorporating site-specific materials from demolished structures, my paintings
function as reliquary, infused with contained memory.&#38;nbsp; In recent experiments, wax combined with
representational mastery becomes a metaphor for memory – the malleable
substance that distorts the photography of our mind. Layers of spontaneous
process-based aberrations in these recent tests give way to faithful depiction.


My practice nods to art history, engaging
established forms and techniques. My personal source photographs function as plein
air references in my practice, a collaboration between the intuition, eye,
camera, and nature. Photographs record reality, while painting is a wish—an
illusion, a dream, a mystery. While the work strives for fidelity in
representing hallowed spaces, they maintain a painterly quality that reminds us
of the transience of physical spaces.


I cherish these fortunate discoveries with my
camera—the synchronicity of a fleeting moment. I am fortunate to be in that
space at that time as a witness to light, shadow, and angles, all aligned. This
commonplace moment, taken for granted, will never be like this again. In these
spontaneous scenes, light and shadow sing in unison. Having lived in spaces of
denial - prison, addiction, withdrawal, depression - fleeting moments of
freedom are illuminated for me. My work is more than social commentary on
gentrification or displacement; this is psychological and spiritual work, a
laborious and time-consuming act of love, remembrance, and preservation of
communal memory.
To see my research, please click here --------&#38;gt; &#38;nbsp;︎




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		<title>EG</title>
				
		<link>https://marisadeluca.com/EG</link>

		<pubDate>Wed, 04 Sep 2024 22:11:28 +0000</pubDate>

		<dc:creator>Marisa DeLuca Studio</dc:creator>

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		<description>E. G.48” x 36”
Oil on canvas
2024
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		<title>Container I</title>
				
		<link>https://marisadeluca.com/Container-I</link>

		<pubDate>Mon, 09 Jun 2025 21:54:38 +0000</pubDate>

		<dc:creator>Marisa DeLuca Studio</dc:creator>

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		<description>Container I60” x 48”oil, shellac, wax, dried flowers from Oceanside residence 1111 Ditmar Street and pyrolyzed remains of Oceanside’s Sixth Municipal Pier on canvas
2025︎

&#60;img width="1500" height="1830" width_o="1500" height_o="1830" data-src="https://freight.cargo.site/t/original/i/37c57270b70bb3511e6cebba1fbc9b662dc4ca80b627da34bceb03d959cedd04/Container-I--oil--shellac--wax--and-charcoal-on-canvas--60x48--2025.jpg" data-mid="234388555" border="0" data-scale="75" src="https://freight.cargo.site/w/1000/i/37c57270b70bb3511e6cebba1fbc9b662dc4ca80b627da34bceb03d959cedd04/Container-I--oil--shellac--wax--and-charcoal-on-canvas--60x48--2025.jpg" /&#62;
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		<title>Container II</title>
				
		<link>https://marisadeluca.com/Container-II</link>

		<pubDate>Mon, 09 Jun 2025 22:00:01 +0000</pubDate>

		<dc:creator>Marisa DeLuca Studio</dc:creator>

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		<description>Container II60” x 48”oil, shellac, wax, dried flowers from Oceanside residence 1111 Ditmar Street and pyrolyzed remains of Oceanside’s Sixth Municipal Pier on canvas
2025︎

&#60;img width="1800" height="2201" width_o="1800" height_o="2201" data-src="https://freight.cargo.site/t/original/i/1e858ac492ae71b00c64fdf45ff89366a714581ba09b2c64dc90ac60764afb4c/Container-II--oil--shellac--wax--dried-flowers-and-charcoal-on-canvas--60x48--2025.jpg" data-mid="234388596" border="0" data-scale="80" src="https://freight.cargo.site/w/1000/i/1e858ac492ae71b00c64fdf45ff89366a714581ba09b2c64dc90ac60764afb4c/Container-II--oil--shellac--wax--dried-flowers-and-charcoal-on-canvas--60x48--2025.jpg" /&#62;
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		<title>Silent</title>
				
		<link>https://marisadeluca.com/Silent</link>

		<pubDate>Wed, 10 Apr 2024 21:57:45 +0000</pubDate>

		<dc:creator>Marisa DeLuca Studio</dc:creator>

		<guid isPermaLink="true">https://marisadeluca.com/Silent</guid>

		<description>Silent
36” x 24”
Oil, wax, and shellac on canvas
2024




&#60;img width="916" height="1280" width_o="916" height_o="1280" data-src="https://freight.cargo.site/t/original/i/a9b7473bc5bd4eb92e6329abea490ce22d62812a7787f0f4300b7615e3771db3/Silent--oil--wax--shellac--and-pyrolyzed-remains-of-608-Minnesota-ave-on-canvas--36x24--2024-72.jpg" data-mid="217501228" border="0" data-scale="83" src="https://freight.cargo.site/w/916/i/a9b7473bc5bd4eb92e6329abea490ce22d62812a7787f0f4300b7615e3771db3/Silent--oil--wax--shellac--and-pyrolyzed-remains-of-608-Minnesota-ave-on-canvas--36x24--2024-72.jpg" /&#62;
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		<title>Everything Must Go</title>
				
		<link>https://marisadeluca.com/Everything-Must-Go</link>

		<pubDate>Thu, 10 Oct 2024 20:38:22 +0000</pubDate>

		<dc:creator>Marisa DeLuca Studio</dc:creator>

		<guid isPermaLink="true">https://marisadeluca.com/Everything-Must-Go</guid>

		<description>Everything Must Go38” x 30”
Oil on canvas
2024






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		<title>APN 147-093-07-00</title>
				
		<link>https://marisadeluca.com/APN-147-093-07-00</link>

		<pubDate>Mon, 25 Mar 2024 18:09:49 +0000</pubDate>

		<dc:creator>Marisa DeLuca Studio</dc:creator>

		<guid isPermaLink="true">https://marisadeluca.com/APN-147-093-07-00</guid>

		<description>APN&#38;nbsp;147-093-07-00
32” x 26”
Oil on canvas
2023


(good luck ︎)
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	<item>
		<title>The Wanderer</title>
				
		<link>https://marisadeluca.com/The-Wanderer</link>

		<pubDate>Thu, 10 Oct 2024 20:40:23 +0000</pubDate>

		<dc:creator>Marisa DeLuca Studio</dc:creator>

		<guid isPermaLink="true">https://marisadeluca.com/The-Wanderer</guid>

		<description>The Wanderer has Nothing that might Receive Him28” x 38”
Oil and pyrolyzed remains of Oceanside's sixth fishing pier on linen
2024Sold
&#60;img width="1280" height="955" width_o="1280" height_o="955" data-src="https://freight.cargo.site/t/original/i/120ec5ee722ccaeadeb60b65bff4772552c670b60daac1a0a04276f2cace4062/The-Wander-has-Nothing-that-Might-Receive-Him--oil-and-pyrolyzed-remains-of-Oceansides-sixth-fishing-pier-on-linen--28-x-38--2024..jpg" data-mid="219564721" border="0"  src="https://freight.cargo.site/w/1000/i/120ec5ee722ccaeadeb60b65bff4772552c670b60daac1a0a04276f2cace4062/The-Wander-has-Nothing-that-Might-Receive-Him--oil-and-pyrolyzed-remains-of-Oceansides-sixth-fishing-pier-on-linen--28-x-38--2024..jpg" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>Below</title>
				
		<link>https://marisadeluca.com/Below</link>

		<pubDate>Wed, 04 Sep 2024 22:21:57 +0000</pubDate>

		<dc:creator>Marisa DeLuca Studio</dc:creator>

		<guid isPermaLink="true">https://marisadeluca.com/Below</guid>

		<description>Below24” x 24”
Oil on canvas
2024



&#60;img width="1280" height="1244" width_o="1280" height_o="1244" data-src="https://freight.cargo.site/t/original/i/933f4096d0e2beeafd3ee44939361b41eab04c047f281dd55320d80520eb6740/Below--oil-on-canvas--24x24--2024-72.jpg" data-mid="217500331" border="0"  src="https://freight.cargo.site/w/1000/i/933f4096d0e2beeafd3ee44939361b41eab04c047f281dd55320d80520eb6740/Below--oil-on-canvas--24x24--2024-72.jpg" /&#62;
</description>
		
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	<item>
		<title>She's Not There</title>
				
		<link>https://marisadeluca.com/She-s-Not-There</link>

		<pubDate>Thu, 10 Oct 2024 20:36:01 +0000</pubDate>

		<dc:creator>Marisa DeLuca Studio</dc:creator>

		<guid isPermaLink="true">https://marisadeluca.com/She-s-Not-There</guid>

		<description>She's Not There (after Andrés Ximenez)24” x 42”
Oil and pyrolyzed remains of Oceanside's sixth fishing pier on linen
2024
Sold
&#60;img width="1280" height="755" width_o="1280" height_o="755" data-src="https://freight.cargo.site/t/original/i/d10681a79b7c298dda3729767be0507bed4c427596de2b6700a6ef29c0ae3217/Shes-Not-There-after-Andres-Ximinez--oil-and-pyrolyzed-remains-of-Oceansides-sixth-fishing-pier-on-linen--24x42--2024.jpg" data-mid="219564629" border="0"  src="https://freight.cargo.site/w/1000/i/d10681a79b7c298dda3729767be0507bed4c427596de2b6700a6ef29c0ae3217/Shes-Not-There-after-Andres-Ximinez--oil-and-pyrolyzed-remains-of-Oceansides-sixth-fishing-pier-on-linen--24x42--2024.jpg" /&#62;
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