Past Work
This body of work reimagines the female state of mind, body, and soul as the apple in various forms of health and decay. Themes of emptiness, time, and boundaries. A personal narrative in theoretical form, this work plays on art historical references and mythology.
Charcoal and pastel on paper, 24” x 18”
Sold
Act of Contrition, 2020.
Oil on canvas, 16” x 16”
Sold
Before & After (studies), 2019.
Gouache on clayboard,
| 6"x8" & 7"x5" |
Comparing Apples to Apples, 2020.
Oil on panel, 12” x 24”
Sold
Isolation, 2020.
Oil on canvas, 18” x 24”
Sold
Scheletro Con Mela, 2019.
Charcoal on paper, 24” x 18”
The Curse, 2020.
Oil on canvas, 24” x 18”
Sold
The Dregs, 2020.
Watercolor and wood on plaster, 3” x 3” x 3”
The Prize, 2020.
Oil on canvas, 28” x 28”
Sold
The Prize (Study), 2020.
Charcoal on paper, 9” x 9”
Sold
The War to End all Wars, 2021.
Charcoal on paper, 17” x 16”
Time Waits for No One, 2019.
Gouache on Aquaboard, (5) 6” x 6”
Sold
Keeper
Limited series of reliquary paintings developed during my Artist Occupancy at Backfence Society in Vista, CA, 6/6/23 to 7/15/23.
Sourcing original photographs from the Oceanside Historical Society's archives and incorporating original reclaimed materials from Oceanside, California, this experimental, processed-based residency continues my creative research into psychometry, catastrophic change, memory and psychogeography.
As spaces disappear in the region due to economic development, my new body of work hopes to expand on previous themes of place and home, while experimenting with the meaning materials hold as they are transformed. Through the lens of my Catholic upbringing, I explore what memorial, relic, and reverence mean in a post-contemporary world. And in this work I continue a fading tradition of telling and retelling visual histories, claiming my role as a "keeper" of memory in my community by preserving the forgotten.
Limited series of reliquary paintings developed during my Artist Occupancy at Backfence Society in Vista, CA, 6/6/23 to 7/15/23.
Sourcing original photographs from the Oceanside Historical Society's archives and incorporating original reclaimed materials from Oceanside, California, this experimental, processed-based residency continues my creative research into psychometry, catastrophic change, memory and psychogeography.
As spaces disappear in the region due to economic development, my new body of work hopes to expand on previous themes of place and home, while experimenting with the meaning materials hold as they are transformed. Through the lens of my Catholic upbringing, I explore what memorial, relic, and reverence mean in a post-contemporary world. And in this work I continue a fading tradition of telling and retelling visual histories, claiming my role as a "keeper" of memory in my community by preserving the forgotten.
In William’s Shadow
12” x 8”
Oil, wax and pyrolyzed remains of 608 Minnesota Avenue, Oceanside CA on canvas
2023
12” x 8”
Oil, wax and pyrolyzed remains of 608 Minnesota Avenue, Oceanside CA on canvas
2023
Martin
16” x 12”
Oil and pyrolyzed remains of 608 Minnesota Avenue, Oceanside CA on canvas
2023
16” x 12”
Oil and pyrolyzed remains of 608 Minnesota Avenue, Oceanside CA on canvas
2023